In her visualisation Magdalena Kašparová explores digital artefacts that appear during AD conversion from archived analog materials (photos, video tapes). This feature is mirrored in the soundtrack by exploring the sonic pool of analog BBD delay that effectively acts as a looper, combined with a modular synth. Due to its technical limitations, at low sampling frequencies (long delay time) aliasing artefacts start to emerge, which are an evident parallel to the digital artefacts exploited by the artist.