Production of the soundtrack for Marek Mádl's Seventy Hours (above) utilises sound design features such as glitches, rhythmical transitions and timbral changes to underline visual transitions and the momentum of the storyline.
A snippet from a second video (below) acts as an underlying soundscape for the nocturnal and sunrise views from the cockpit. Slowly modulated analog synths, use of granular synthesis and wide reverberation emphasises the slowly changing environment during which the video has been captured. (work in progress)
A snippet from a second video (below) acts as an underlying soundscape for the nocturnal and sunrise views from the cockpit. Slowly modulated analog synths, use of granular synthesis and wide reverberation emphasises the slowly changing environment during which the video has been captured. (work in progress)